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London Natural History Museum (Лондонський історичний музей) - Реферат

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London Natural History Museum (Лондонський історичний музей)

This article is about the Natural History Museum, London. For a list of museums of natural history, and articles on the general topic, see List of natural history museums.

Natural History Museum




Exhibition Road, South Kensington, London, England

Visitor figures

3,600,119 (2006) [1]

Nearest tube station(s)

South Kensington



The Natural History Museum is one of three large museums on Exhibition Road, South Kensington, London (the others are the Science Museum, and the Victoria and Albert Museum). Its main frontage is on Cromwell Road. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport

The museum is home to life and earth science specimens comprising some 70 million items within five main collections: Botany, Entomology, Mineralogy, Palaeontology and Zoology. The museum is a world-renowned centre of research, specialising in taxonomy, identification and conservation. Given the age of the institution, many of the collections have great historical as well as scientific value, such as specimens collected by Darwin. The Natural History Museum Library contains extensive book, journal, manuscript, and artwork collections linked to the work and research of the scientific departments. Access to the library is by appointment only.

The museum is particularly famous for its exhibition of dinosaur skeletons, and ornate architecture — sometimes dubbed a cathedral of nature — both exemplified by the large Diplodocus cast which dominates the vaulted central hall.

Originating from collections within the British Museum, the landmark Alfred Waterhouse building was built and opened by 1881, and later incorporated the Geological Museum. The Darwin Centre is a more recent addition, partly designed as a modern facility for storing the valuable collections.

The Natural History Museum, shown in wide-angle view here, has an ornate terracotta facade by Gibbs and Canning Limited typical of high Victorian architecture. The terracotta mouldings represent the past and present diversity of nature.

History and architecture

An 1881 plan showing the original arrangement of the Museum.

The museum from the south west

The entrance to the Earth Galleries

The main hall of the museum

Statue of Charles Darwin by Sir Joseph Boehm in the main hallThe foundation of the collection was that of the Ulster doctor Sir Hans Sloane (1660–1753), who allowed his significant collections to be purchased by the British Government at a price well below their market value at the time. This purchase was funded by a lottery. Sloane's collection, which included dried plants, and animal and human skeletons, was initially housed in Montague House in Bloomsbury in 1756, which was the home of the British Museum.

Most of the Sloane collection had disappeared by the early decades of the nineteenth century. Sir George Shaw (Keeper of Zoology 1806-13) sold many specimens to the Royal College of Surgeons. His successor William Elford Leach made periodical bonfires in the grounds of the museum.[2] In 1833 the Annual Report states that, of the 5,500 insects listed in the Sloane catalogue, none remained. The inability of the natural history departments to conserve its specimens became notorious: the Treasury refused to entrust it with specimens collected at the government's expense. Appointments of staff were bedevilled by gentlemanly favoritism; in 1862 a nephew of the mistress of a Trustee was appointed Entomological Assistant who did not know the difference between a butterfly and a moth. [3][4]

J.E. Gray (Keeper of Zoology 1840-74) complained of the incidence of mental illness amongst staff: George Shaw threatened to put his foot on any shell not in the 12th edition of Linnaeus' Systema Naturae; another had removed all the labels and registration numbers from entomological cases arranged by a rival. The huge collection of conchologist Hugh Cuming was acquired by the museum, and Gray's own wife had carried the open trays across the courtyard in a gale: all the labels blew away. That collection is said never to have recovered. [5]

The Principal Librarian at the time was Antonio Panizzi; his contempt for the natural history departments and for science in general was total. The general public was not encouraged to visit the Museum's natural history exhibits. In 1835 to a Select Committee of Parliament, Sir Henry Ellis said this policy was fully approved by the Principal Librarian and his senior colleagues.

Many of these faults were corrected by Richard Owen, appointed Superintendent of the natural history departments of the British Museum in 1856. His changes led Bill Bryson to write that "by making the Natural History Museum an institution for everyone, Owen transformed our expectations of what museums are for".[6]

Owen saw that the natural history departments needed more space, and that implied a separate building as the British Museum site was limited. Land in South Kensington was purchased, and in 1864 a competition was held to design the new museum. The winning entry was submitted by Captain Francis Fowke who died shortly afterwards. The scheme was taken over by Alfred Waterhouse who substantially revised the agreed plans, and designed the faades in his own idiosyncratic Romanesque style. The original plans included wings on either side of the main building, but these plans were soon abandoned for budgetary reasons. The space these would have occupied are now taken by the Earth Galleries and Darwin Centre.

Work began in 1873 and was completed in 1880. The new museum opened in 1881, although the move from the old museum was not fully completed until 1883.

Both the interiors and exteriors of the Waterhouse building make extensive use of terracotta tiles to resist the sooty climate of Victorian London, manufactured by the Tamworth-based company of Gibbs and Canning Limited. The tiles and bricks feature many relief sculptures of flora and fauna, with living and extinct species featured within the west and east wings respectively. This explicit separation was at the request of Owen, and has been seen as a statement of his contemporary rebuttal of Darwin's attempt to link present species with past through the theory of natural selection [1].

The central axis of the museum is aligned with the tower of Imperial College London (formerly the Imperial Institute) and the Royal Albert Hall and Albert Memorial further north. These all form part of the complex known colloquially as Albertopolis.

[edit] Separation from the British Museum

Even after the opening, legally the NHM remained a department of the British Museum with the formal name British Museum (Natural History), usually abbreviated in the scientific literature as B.M.(N.H.) or BMNH. A petition to the Chancellor of the Exchequer was made in 1866, signed by the heads of the Royal, Linnean and Zoological Societies as well as naturalists including Darwin, Wallace and Huxley, asking that the museum gain independence from the board of the British Museum, and heated discussions on the matter continued for nearly one hundred years. Finally, with the British Museum Act 1963, the British Museum (Natural History) became an independent museum with its own Board of Trustees, although – despite a proposed amendment to the act in the House of Lords – the former name remained. Only with the Museums and Galleries Act 1992 did the Museum's formal title finally change to the Natural History Museum.

Geological Museum

Main article: Geological Museum

Earth Galleries atrium, designed by Neal PotterIn 1986, the museum absorbed the adjacent Geological Museum of the British Geological Survey, which had long competed for the limited space available in the area. The Geological Museum became world-famous for exhibitions including an active volcano model and an earthquake machine (designed by James Gardiner), and housed the world's first computer-enhanced exhibition (Treasures of the Earth). The museum's galleries were completely rebuilt and relaunched in 1996 as The Earth Galleries, with the other exhibitions in the Waterhouse building retitled The Life Galleries. The Natural History Museum's own Mineralogy displays remain largely unchanged as an example of the 19th-century display techniques of the Waterhouse building.

The central atrium design by Neal Potter overcame visitors' reluctance to visit the upper galleries by "pulling" them through a model of the Earth made up of random plates on an escalator. The new design covered the walls in recycled slate and sandblasted the major stars and planets onto the wall. The Museums 'star' geological exhibits are displayed within the walls. Six iconic figures are the backdrop to discussing how previous generations have viewed Earth.

The Darwin Centre

Backstage at the NHM. The Tank Room within Darwin Centre Phase 1 holds larger fish from the spirit collection, and preparation facilities for them.The newly-developed Darwin Centre (named after Charles Darwin) is designed as a new home for the museum's collection of tens of millions of preserved specimens, as well as new workspaces for the museum's scientific staff, and new educational visitor experiences. Built in two distinct phases, with two new buildings adjacent to the main Waterhouse building, it is the most significant new development project in the museum's history.

Phase one of the Darwin Centre has been completed, and now houses the Zoological department's 'spirit collections' — organisms preserved in alcohol.

Darwin Centre Phase Two has been completed and was unveiled in September 2008 but will not open to the general public until September 2009. It is designed by Danish architecture practice C. F. Mller Architects in the shape of a giant, eight-story cocoon and houses the entomology and botanical collections — the 'dry collections'.[7]

Arguably the most famous creature in the centre is the 8.62 metre long Giant Squid, affectionately named Archie (http://www.nhm.ac.uk/about-us/news/2006/feb/news_5255.html).

[edit] The David Attenborough Studio

As part of the museum's remit to communicate science education and conservation work, a new multimedia studio will form an important part of Darwin Centre Phase 2. In collaboration with the BBC's Natural History Unit — holder of the largest archive of natural history footage available — the David Attenborough Studio — named after the venerable broadcaster and presenter — will provide a unique multimedia environment for educational events. The studio will continue the daily webcast lectures and demonstrations that were previously based within the Phase 1 building, featuring museum scientists and guests.

[edit] Galleries


Earth Lab

Earth's Treasury

Lasting Impressions

Restless Surface

Earth Today and Tomorrow

From the Beginning

The Power Within

Visions of Earth



Creepy Crawlies


Fossil Marine Reptiles

Giant Sequoia and Central Hall


The Vault

Our Place in Evolution

Plant Power




Moving roaring model of T. rex in the dinosaur areaDinosaurs

Fishes, Amphibians and Reptiles

Human Biology


Marine Invertebrates


Mammals (Blue Whale)

Nature Live


Wildlife Garden

Darwin Centre

Further Details on all the Galleries can be found on the website [2]