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Sandro Botticelli - Реферат

Story of Nastagio degli Onesti (c. 1483) - Tempera on panel, 83 x 138 cm, Museo del Prado, Madrid]]
" The Virgin and Child Enthroned (Bardi Altarpiece) (1484) - Tempera on panel, 185 x 180 cm, Staatliche Museen, Berlin
" The Birth of Venus (1484-1486) - Tempera on canvas, 184,5 x 285,5 cm, Uffizi, Florence
" Annunciation (1485) - Tempera and gold on wood, 19,1 x 31,4 cm, Metropolitan Museum of Art, New York
" Madonna of the Pomegranate (Madonna della Melagrana) (c. 1487) - Tempera on panel, diameter 143,5 cm, Uffizi, Florence
" The Virgin and Child with Four Angels and Six Saints (Pala di San Barnaba) (c. 1487-1488) - Tempera on panel, 268 x 280 cm, Uffizi, Florence
" Vision of St. Augustine (c. 1488) - Tempera on panel, 20 x 38 cm, Uffizi, Florence
" Christ in the Sepulcre (c. 1488) - Tempera on panel, 21 x 41 cm, Uffizi, Florence
" Salome with the Head of St. John the Baptist (c. 1488) - Tempera on panel, 21 x 40,5 cm, Uffizi, Florence
" Extraction of St. Ignatius' Heart (c. 1488) - Tempera on panel, 21 x 40,5 cm, Uffizi, Florence
" Cestello Annunciation (1489-1490) - Tempera on panel, 150 x 156 cm, Uffizi, Florence
" The Virgin Adoring the Child (c. 1490)- Tempera on panel, diameter 59,6 cm, National Gallery of Art, Washington
" Lamentation over the Dead Christ with Saints (c. 1490) - Tempera on panel, 140 x 207 cm, Alte Pinakothek, Munich
" Portrait of a Man (c. 1490) - Tempera on canvas transferred from wood, 49 x 35 cm, Private collection
" San Marco Altarpiece (1490-1492) - Tempera on panel, 378 x 258 cm (pala) and 21 x 269 cm (entire predella) Uffizi, Florence
" St.Augustine in His Cell (1490-1494) - Tempera on panel, 41 x 27 cm cm, Uffizi, Florence
" Madonna and Child and the Young St John the Baptist (1490-1495) - Tempera on canvas, 134 x 92 cm, Galleria Palatina (Palazzo Pitti), Florence]]
" Portrait of Lorenzo di Ser Piero Lorenzi (1490-1495) - Tempera on panel, 50 x 36,5 cm, Philadelphia Museum of Art, Philadelphia
" Holy Trinity (Pala delle Convertite) (1491-1493) - Tempera on panel, 215 x192 cm, Courtauld Institute Galleries, London
" The Virgin and Child with Three Angels (Madonna del Padiglione) (c. 1493) - Tempera on panel, diameter 65 cm, Pinacoteca Ambrosiana, Milan
" Calumny of Apelles (1494-1495) - Tempera on panel, 62 x 91 cm, Uffizi, Florence
" Lamentation over the Dead Christ (c. 1495) - Tempera on panel, 107 x 71 cm, Museo Poldi Pezzoli, Milan
" Last Communion of St. Jerome (c. 1495) - Tempera on panel, 34,5 x 25,4 cm, Metropolitan Museum of Art, New York
" Portrait of Dante (c. 1495) - Tempera on canvas, 54,7 x 47,5 cm, Private collection
" The Story of Virginia (1496-1504) - Tempera on panel, 85 x 165 cm, Accademia Carrara, Bergamo
" The Story of Lucretia (1496-1504) - Tempera on panel, 83,5 x 180 cm, Isabella Stewart Gardner Museum, Boston
" Crucifixion (c. 1497) - Tempera on canvas, 73,5 x 50,8 cm, Fogg Art Museum, University of Harvard, Cambridge
" Christ Crowned with Thorns (c. 1500) - Tempera on panel, 47,6 x 32,3 cm, Accademia Carrara, Bergamo, Italy
" Transfiguration, St Jerome, St Augustine (c. 1500) - Tempera on panel, 27,5 x 35,5 cm,ah, and i just got bit by a lestat,Galleria Pallavicini, Rome
" Judith Leaving the Tent of Holofernes (1495-1500) - Tempera on panel, 36,5 x 20 cm, Rijksmuseum, Amsterdam
" Agony in the Garden (c. 1500) - Tempera on panel, 53 x 35 cm]], Capilla Real, Granada
" The Mystical Nativity (c. 1500) - Tempera on canvas, 108,5 x 75 cm, National Gallery, London
" Baptism of St. Zenobius and His Appointment as Bishop (1500-1505) - Tempera on panel, 66,5 x 149,5 cm, National Gallery, London
" Three Miracles of St. Zenobius (1500-1505) - Tempera on panel, 65 x 139,5 cm, Metropolitan Museum of Art, New York
" Three Miracles of St. Zenobius (1500-1505) - Tempera on panel, 67 x 150,5 cm, Metropolitan Museum of Art, New York
" Last Miracle and the Death of St. Zenobius (1500-1505) - Tempera on panel, 66 x 182 cm, Gem?ldegalerie, Dresden
References in popular culture
Botticelli's name surfaced in popular culture in connection with the 2003 bestselling novel The Da Vinci Code, which made a claim that a secret society known as the Priory of Sion was a factual society. In actuality, the Priory was a hoax concocted in the 1950s by a French pretender to the throne, who had caused a large quantity of medieval documents to be forged and planted in different locations around France. One set of these documents, Les Dossiers Secrets, planted in the French National Library, listed Botticelli as one of the Grand Masters of the Priory, and this claim was repeated in the 1982 pseudohistory book The Holy Blood and the Holy Grail, which was used as source material for The Da Vinci Code. Because of the novel's popularity and resulting confusion about its "facts", many debunking books and documentaries were created, which again brought up Botticelli's name to try and clear things up. It is true that Botticelli and Leonardo da Vinci (also listed as a Grand Master of the Priory of Sion) were both students at the Florence workshop of Andrea del Verrocchio, but they had no association with any "Priory of Sion", which is nothing but a 20th century hoax.
In the popular TV sitcom Frasier, Botticelli is mentioned along with other notable artists. In the episode To Tell the Truth, Niles compliments Roz's baby pictures by declaring "Botticelli himself couldn't have painted a more perfect angel."
References
" Knackfuss H., Monographs On Artists, VI. Botticelli by Ernst Steinman, Translated by Campbell Dodgson, New York, Lemcke & Huachner, 1901, Pg. 112.
" New York Times, Life of Botticelli, November 19, 1904, Page BR783.
" Da Vinci Declassified, 2006 TLC documentary
" Ullman, H., Sandro Botticelli, 1893
" Yashiro, Y., Sandro Botticelli and the Florentine Renaissance, 1929
" Lightbown, R., Sandro Botticelli: Life and Work, 1989
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