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Geoffrey Chaucer - Реферат

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"Geoffrey Chaucer"
The greatest English poet of the Middle Ages, Chaucer is best known for "The Canterbury Tales" and the contribution to English literature that he made by writing his verses in English instead of Latin which was the norm at the time.
He was born in London between 1340 and 1344, the son of John Chaucer, a vintner. In 1357 he was a page in the household of Prince Lionel, later duke of Clarence, whom he served for many years. In 1359-60 he was with the army of Edward III in France, where he was captured by the French but ransomed.
By 1366 he had married Philippa Roet, who was probably the sister of John of Gaunt's third wife; she was a lady-in-waiting to Edward III's queen. During the years 1370 to 1378, Chaucer was frequently employed on diplomatic missions to the Continent, visiting Italy in 1372-73 and in 1378. From 1374 on he held a number of official positions, among them comptroller of customs on furs, skins, and hides for the port of London (1374-86) and clerk of the king's works (1389-91). The official date of Chaucer's death is Oct. 25, 1400. He was buried in Westminster Abbey.
Chaucer's literary activity is often divided into three periods. The first period includes his early work (to 1370), which is based largely on French models, especially the Roman de la Rose and the poems of Guillaume de Machaut. Chaucer's chief works during this time are the Book of the Duchess, an allegorical lament written in 1369 on the death of Blanche, wife of John of Gaunt, and a partial translation of the Roman de la Rose.
Chaucer's second period (up to c.1387) is called his Italian period because during this time his works were modeled primarily on Dante and Boccaccio. Major works of the second period include The House of Fame, recounting the adventures of Aeneas after the fall of Troy; The Parliament of Fowls, which tells of the mating of fowls on St. Valentine's Day and is thought to celebrate the betrothal of Richard II to Anne of Bohemia; and a prose translation of Boethius' De consolatione philosophiae.
Also among the works of this period are the unfinished Legend of Good Women, a poem telling of nine classical heroines, which introduced the heroic couplet (two rhyming lines of iambic pentameter) into English verse; the prose fragment The Treatise on the Astrolabe, written for his son Lewis; and Troilus and Criseyde, based on Boccaccio's Filostrato, one of the great love poems in the English language (see Troilus and Cressida). In Troilus and Criseyde, Chaucer perfected the seven-line stanza later called rhyme royal.
To Chaucer's final period, in which he achieved his fullest artistic power, belongs his masterpiece, The Canterbury Tales (written mostly after 1387). This unfinished poem, about 17,000 lines, is one of the most brilliant works in all literature. The poem introduces a group of pilgrims journeying from London to the shrine of St. Thomas ? Becket at Canterbury. To help pass the time they decide to tell stories. Together, the pilgrims represent a wide cross section of 14th-century English life.
The pilgrims' tales include a variety of medieval genres from the humorous fabliau to the serious homily, and they vividly indicate medieval attitudes and customs in such areas as love, marriage, and religion. Through Chaucer's superb powers of characterization the pilgrims-such as the earthy wife of Bath, the gentle knight, the worldly prioress, the evil summoner-come intensely alive. Chaucer was a master storyteller and craftsman, but because of a change in the language after 1400, his metrical technique was not fully appreciated until the 18th cent. Only in Scotland in the 15th and 16th cent. did his imitators understand his versification.
Contrary to what you might expect, Chaucer was recognized during his lifetime and influenced other poets of the 1400s. He was not just a poet. He was a page to Elizabeth, Countess of Ulster, a hostage in France during military action in 1359-60, a diplomat, a customs official, a justice of the peace, knight of the shire in Kent, and served in Parliament for one session in 1386. Three years later, under Richard II, Chaucer was appointed Clerk of the King's Works in charge of construction and renovation. His last official post was as deputy forester of the royal forest of North Petherton, Somerset. He was born in London, married Philippa in his early twenties and had two sons, Lewis and Thomas. He is buried in Westminister Abbey.
To the intense affection, frequently expressed, of Hoccleve, we owe the first and best of Chaucer's portraits, familiar through reproduction. It appears in the margin of "The Governail of Princes", or "De Regimine Principum" (Harl. MS. 4866, in British Museum). In it we see Chaucer, limned from memory, in his familiar hood and gown, rosary in hand, plump, full-eyed, fork-bearded. (For detailed accounts see Spielman, "The Portraits of Geoffrey Chaucer", London, l900, first issued in the "Chaucer Memorial Lectures", 111-41.) Like Dryden, he was silent, and had a "down look"; this physical characteristic was partly due to a most genuine modesty, partly to the habit of constant reading. Chaucer indeed read and annexed everything, and transmuted everything into that vocabulary of his, all plasticity and all power. He is a cosmopolite, chiefly influenced by Ovid, by his own contemporary Italy, a debtor, if ever man was, to the whole spirit of his age; he has its fire, its impudence, its broad licentiousness; he has rather more than his share of its true-hearted pathos, its exquisite freshness and brightness, its sense of eternity. The so-called "Counsel of Chaucer" sums up, at a holy and serene moment, his philosophic outlook. He had unequalled powers of observation, and gave a highly ironic but most humane report. He is an artist through and through, and that artist