AND ROCK MUSIC
3. Development of slang
4. Creators of slang
6. Linguistic processes forming slang
7. Characteristics of slang
8. Diffusion of slang
9. Uses of slang
10. Attitudes toward slang
12. Position in the Language
III. Youth Subcultures
1. The Concept of Youth Subcultures
2. The Formation of Youth Subcultures
3. The Increase of Youth Subculture
4. The Features of Youth Subcultures
5. The Types of Youth Subcultures
6. The Variety of Youth Subcultures
IV. Rock Music
1. What is rock?
2. Rock in the 1950s
3. Rock in the 1960s
4. Rock in the 1970s
5. Rock in the 1980s and '90s
V. Rock subcultures
8. Straight Edge
1. Dictionary of youth slang during 1960-70's
2. Dictionary of modern British slang
My graduation paper is devoted to the study of the topic "Slang, youth subcultures and rock music." This work consists of 5 parts. The first part is about slang. What is it?
Slang, informal, nonstandard words and phrases, generally shorter lived than the expressions of ordinary colloquial speech, and typically formed by creative, often witty juxtapositions of words or images. Slang can be contrasted with jargon (technical language of occupational or other groups) and with argot or cant (secret vocabulary of underworld groups), but the borderlines separating these categories from slang are greatly blurred, and some writers use the terms cant,argot, and jargon in a general way to include all the foregoing meanings.
Origins of slang
Slang tends to originate in subcultures within a society. Occupational groups (for example, loggers, police, medical professionals, and computer specialists) are prominent originators of both jargon and slang; other groups creating slang include the armed forces, teenagers, racial minorities, ghetto residents, labor unions, citizens-band radiobroadcasters, sports groups, drug addicts, criminals, and even religious denominations (Episcopalians, for example, produced spike, a High Church Anglican). Slang expressions often embody attitudes and values of group members. They may thus contribute to a sense of group identity and may convey to the listener information about the speaker's background. Before an apt expression becomes slang, however, it must be widely adopted by members of the subculture. At this point slang and jargon overlap greatly. If the subculture has enough contact with the mainstream culture, its figures of speech become slang expressions known to the whole society. For example, cat (a sport), cool (aloof, stylish), Mr. Charley (a white man), The Man (the law), and Uncle Tom (a meek black) all originated in the predominantly black Harlem district of New York City and have traveled far since their inception. Slang is thus generally not tied to any geographic region within a country.
A slang expression may suddenly become widely used and as quickly dated (23-skiddoo). It may become accepted as standard speech, either in its original slang meaning (bus, from omnibus) or with an altered, possibly tamed meaning (jazz, which originally had sexual connotations). Some expressions have persisted for centuries as slang (booze for alcoholic beverage). In the 20th century, mass media and rapid travel have speeded up both the circulation and the demise of slang terms. Television and novels have turned criminal cant into slang (five grand for $5000). Changing social circumstances may stimulate the spread of slang. Drug-related expressions (such as pot and marijuana) were virtually a secret jargon in the 1940s; in the 1960s they were adopted by rebellious youth; and in the 1970s and '80s they were widely known.
Uses of slang
In some cases slang may provide a needed name for an object or action (walkie-talkie, a portable two-way radio; tailgating, driving too close behind another vehicle), or it may offer an emotional outlet (buzz off! for go away!) or a satirical or patronizing reference (smokey, state highway trooper). It may provide euphemisms (john,head,can, and in Britain, loo, all for toilet, itself originally a euphemism), and it may allow its user to create a shock effect by using a pungent slang expression in an unexpected context. Slang has provided myriad synonyms for parts of the body (bean, head; schnozzle, nose), for money (moola,bread,scratch), for food (grub,slop,garbage), and for drunkenness (soused,stewed,plastered).
Formation of slang
Slang expressions are created by the same processes that affect ordinary speech. Expressions may take form as metaphors, similes, and other figures of speech (dead as a doornail). Words may acquire new meanings (cool,cat). A narrow meaning may become generalized (fink, originally a strikebreaker, later a betrayer or disappointer) or vice-versa (heap, a run-down car). Words may be clipped, or abbreviated (mike, microphone), and acronyms may gain currency (VIP,AWOL,snafu). A foreign suffix may be added (the Yiddish and Russian -nik in beatnik) and foreign words adopted (baloney, from Bologna). A change in meaning may make a vulgar word acceptable (jazz) or an acceptable word vulgar (raspberry, a sound imitating flatus; from raspberry tart in the rhyming slang of Australia and Cockney London; Sometimes words are newly coined (oomph, sex appeal, and later, energy or impact).
Position in the Language
Slang is one of the vehicles through which languages change and become renewed, and its vigor and color enrich daily speech. Although it has gained respectability in the 20th century, in the past it was often loudly condemned as vulgar. Nevertheless, Shakespeare brought into acceptable usage such slang terms as hubbub,to bump, and to dwindle, and 20th-century writers have used slang brilliantly to convey character and ambience. Slang appears at all times and in all languages. A person's head was kapala (dish) in Sanskrit, testa (pot) in Latin; testa later became the standard Latin word for head. Among Western languages, English, French, Spanish, Italian, German, Yiddish, Romanian, and Romani (Gypsy) are particularly rich in slang.
The second part of my graduation paper is about youth subcultures.
"Subcultures are meaning systems, modes of expression or life styles developed by groups in subordinate structural positions in response to dominant meaning systems, and which reflect their attempt to solve structural contradictions rising from the wider societal context"
The next part is about rock music in the1950s - '90s. What